You say "They jammed you up in a corner!!!! That is a big venue and you were up in a corner??? Did you do a site visit and spell out where you wanted your setup and speakers to be? I saw many areas for different setup based on the pics from the event.Knock yourself out.
https://picasaweb.google.com/104949...eFactoryAtFranklinFranklinTNWeddingReception#
I did not get any shots of my rig but it was nothing special. 8-foot table, pair of 18s on either side, 12" tops, front board to hide the junk and 1 t-bar to the left of my table. The jammed me and the photobooth (not mine) in the corner. To be transparent, I thought the dance floor was just okay. Not great, but good. They sure seemed to be thrilled and you should've seen the expressions on the faces as the other event let out an hour before ours did. I counted 3 videographers hired for that event.
BTW, here's my normal rig (same thing I used this past weekend.
Thanks!
Don't think I ever saw pics from your gigs before.
Here's the general catalog. I have thousands.
https://picasaweb.google.com/104949851951762302969
You say "They jammed you up in a corner!!!! That is a big venue and you were up in a corner??? Did you do a site visit and spell out where you wanted your setup and speakers to be? I saw many areas for different setup based on the pics from the event.
In the photo you posted of your basic rig, those speakers take away from the beautiful Gobo you were projected. They are too conspicuous.

Rick, you put on a great and classy show from what I have seen. Get it out of your head that asking for what you want is going against the flow. You are a professional in what you do. You can negotiate and compromise without getting into a fight or getting blackballed by the venue. Longer speaker cables can be your friend. The proper placement of the speakers are more important than your booth setup space.That gobo was what I started the Live-Pics out with. The "real" gobo was projected on the wall, behind the head table:
At that particular gig, they didn't provide me with Memories' slideshow pics. We don't usually start running the Live-Pics until after 1st dance. As for site visit, I've worked at The Factory several times already and they were last minute on their setup so driving by there would be for nothing. I guess I could've whined and asked them to change things up but I make it a habit to go with flow when possible. The setup was fine but I felt sorry for the photobooth dude (a friend of mine). I was pounding him with sound and my scanners were all over his setup.
Forget the link, post a few pics right here on ODJT now and then.
Let's hear about some of the POSITIVE experiences you have!
I'd rather hear about your WIN SOME moments, rather than the LOSE SOME moments!
I'm working at The Factory at Franklin tonight in what they call "The Commons Area". It's like a food court type area for the mall. 150 guests. I'm hitting a pair of 18s, and Carvin neo12 tops. The next room is a 5k-7k sq ft hall (where I've played before). I was over at the door for their GE and thought there was no music. Keep in mind there's is a big hall, full draping, high dollar uplighting, lekos on the dance floor. Check out the DJ they hired:
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That's right, looks like a Fender Passport. Two dudes (actual working DJs) sitting behind the table with their laptop and passport amp sitting on the table. It's sounds like crap (of course).
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what is that other speaker for in the far corner top right of this picture?
no the other pic it looks like a speaker
no the other pic it looks like a speaker
I hate cheap LED fixtures. The shot above shows what happens when DJs try to do uplighting - these dogs have about a 12 deg. beam angle and absolutely NO convergence. The optics are non-existent - instead of a color mix you have a green center with red border and a blue perimeter. Cheap ligting fixtures produce cheap results no matter who you are - which is very different than audio where a great DJ can still sound good even on cheap gear.
This is why "diversifying" generally doesn't work for a DJ - most simply don't have the capacity or expertise to do other disciplines properly and so they become both the discount alternative and the purveyors of passe' trends long after the novelty has worn off. By the time DJs get hold of a trend it's commercially effective life is generally over.![]()
Cool beans as on the example shot you just dissed, one of the top planners in town loved it and has been actively pitching me on jobs. Maybe you should specialize on critiqing DJ work also?
You didn't see the passport amp, sitting on the table? I also don't think you'd be sitting behind your table in a jeans and t-shirt while working either.
It just means she's never seen anyone do it correctly - which might make your stint a temporary assignment.![]()
We don't know that there is anyone actually working in this example. What proof do you have that this was a DJ and not simply her nephew running some background music for the video? For all we know they left after dinner and then danced all night to a band somewhere else.