Well this certainly won't help...a true DJ software app for the I Pad...http://djdexapp.com/
I guess the easy access to which I am referring is, availability to get music without even having to pay for it (Pirated Music) Back in the day, sure it was available but you could not download vinyl. You had to go out and buy it. Also the record pools were basically for DJs only and we got special versions/pressings and promo copies. Not to mention, some singles were not available for public sale so the regular person had to purchase the whole album. It still comes down to the Music Library. It is the key element and the most expensive tool for those who are legally acquiring their music.
Dennis! Do you guys have to be jerks to each other? I know yous don't like each other but yeesh.Anyone can be a Dj look at Randy A!
Low bar to entry.What in YOUR opinion is the main reason why there are so many DJs out there? So many calling themselves DJs?
This dude does like 2 paying gigs per year, but said he has about 140,000 tunes. So, I asked him how could he afford that -- his reply was simple -- his friend made him a copy of a hard drive he bought with all the tunes on it. That does not make him a DJ,..
-- he just tells everyone he's a DJ, so he can pick up chicks.
Bob,I disagree.
I was getting plenty of free music long before the internet came along.
The whole notion of "legal music" is a red herring because, you do not have to own any music to be a DJ. The law only requires a license for the public performance of the work and it does not concern itself with the property owner.
At least half the clubs I worked maintained their own music library and I simply acted as the purchaser/programmer in terms of acquiring or managing those collections. I never owned any of it.
Private events have an even wider range of possibilities because they are exempt from performance royalties. You can borrow music to play at any private event. DJs do it all the time, for example when a bride provides certain selections from her own collection to be played. Whenever a bride would requests a song I didn't have (more importantly) didn't want to buy - I would ask her if she already owned it and we would use her CD instead. Now, it's more convenient to just buy it from iTunes, etc but, If someone had an extensive list of things I did not want I'd prefer to play it from their iPod instead of my wallet.
I'm a DJ not a museum. My job as a DJ is to PLAY music - not collect it. I don't have to be the owner of a track to "legally" play it even if that playback is a public performance. Someone else can be the legal owner or licensee for that purpose. The license is for public performance - regardless of the source.
Low bar to entry.
Rip a bunch of songs of YouTube, borrow Daddy's receiver and speakers, and get yourself a $1 RCA to Headphone cord at Dollar Tree, plugin your iPod -- Presto your a DJ.
Aside from the illegal music aspect nothing is wrong with it. I started on crappy bar equipment. We all know how much bar owners love spending money.What's wrong with that?
It's pretty much how I got started, except Dad didn't have anything I could borrow and there was no internet. I started out with some pretty rudimentary stuff doing college dorms. etc, then moved into clubs. With word of mouth and more experience I made enough money to fund my own music, gear and advertising.
I don't think much has changed, really. The bar has always been low - it's just too many insecure people wishing they could close the door behind them.
Bob,
It is a fact that the new technology have enabled just about anyone to have a massive music library, put it on a laptop buy some powered speakers and call themselves a DJ. It just did not happen like that back in the day. By and large one had to purchase the music and know how to hook up the equipment. They could not afford to do it unless they were getting a return on their investment. Sure, some clubs owned their libraries but that is not what we are referring to here. We are discussing guys with minimal and sometimes inferior equipment running around calling themselves a DJ when all they are seeking is a spotlight on themselves.
Aside from the illegal music aspect nothing is wrong with it. I started on crappy bar equipment. We all know how much bar owners love spending money.
For .02 as long as you're doing a quality job all the newbies (with illegal libraries and home grade equipment) shouldn't worry you.
I know that a DJ can mean someone who does not own gear. When I lived in Boston, I had a couple DJs that used to hang out with me and we did gigs together. Some of them only owned the Vinyl, some owned a small system. I used to rent additional gear and a big truck on important and busy holiday weekends and book several Gigs for one night. These guys knew what they were doing and it worked out for everyone. I charged top dollar so I could afford to pay for the help and other artists. I guess at that time I was Multi op without fully realizing the potential. So yes I know that gear or music alone does not make a DJ. Can one find good DJs on Craiglist? Sure! Not everyone who charges big fees are pros or know what they are doing. I am still referring to across the board. The wannabees back in the days were mainly confined to doing home parties etc not going out doing other people's important events.I just think you are wrong about that.
It may not have been a laptop or iPod - but 30 years ago with different consumer technology that is exactly what "everyone" was doing. The storage and playback method may have changed - but, the way people play and behave has remained a constant.
It sounds like you have erroneously assigned gear and music to the "legitimacy" of a "DJ?" Being a DJ has never been and never will be about the gear. It's about being creative - and that has no such qualifier.
How many people that contact you know who you are? A lot of people that contact me don't know who I am and what I'm about as a DJ. A lot of them aren't sure what to look for when booking a DJ because they never have. So how do they know if you're truly a professional that really cares about the work they do?
I've seen some that will put on their website how to book a DJ. Telling potential clients what to look for and questions to ask a DJ they contact. There are those who are doing this to make extra income and aren't very serious about what they do as a DJ. I take pride in what I do and I don't believe in doing gigs I don't feel are right for us.
Now please just check out the gig log I posted yesterday. Not a high end event but all went well. The client even wants us to come back and do something else. All you can do is try your best to convey how much of a professional you are if you are a true professional. After that it's up to the potential client to decide if they want to book you or not. My question to all here is how much do you care about what your show is like when you're doing an event for a client? Do you care about the littlest details or is it not a big deal just so long as they book you?
You are absolutely correct, I am sure the competition for the Dollars is fierce! However, a real good Photographer with a good website and or portfolio of Photos can stand a fighting chance against a wannabe with a $500.00 camera. At least a would be client can see a finished product similar to what they would be receiving. In the case of a DJ, you may not know what you are going to get until it is too late.If you think there are too many people calling themselves DJs, ask a professional photographer what THEIR industry is like these days.
At least a would be client can see a finished product similar to what they would be receiving. In the case of a DJ, you may not know what you are going to get until it is too late.
My point was that in a lot of cases a potential client looking for a DJ don't really know what to look for. Some will figure why pay someone so much money? All they are going to be doing is playing music. Some make the mistake of booking the cheapest DJ they can find and not the right DJ to do their event. Now that doesn't mean the DJ charging 1k necessarily will be the right DJ to do their event or will be a good DJ at all.This is possibly the easiest question to answer.....how do they know? You give them references and offer the references amid the conversation. Some may follow them up, some may not. If you have your gigs, equipment and reviews all available for potential clients to see what they are getting, they will have a feeling/knowing if you are right to serve their needs. Most of our work is referral or word of mouth....that is how people know who "we" are....it's not hard to see why I've been running since 1986 and the company since 1975.
To your out question......yes, every detail is important, that is what sets pros against rookies/hacks.....you're being paid top dollar to make an event happen.....everything counts IMO.