Get the big Daddy Dynacord system a couple here have heard the one which I speak. Huge amazing explosive clarity and BOOM for any room.
$10-15K for Speakers & Amps
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Only if you're used to settling for 2nd best ... :tribiggrin:Well doesn't this whole thread sound like a dick measuring contest?
Spend half that and get yur a set of Bose L1's and Bass Bins..... they'll fill the room up for ya.....
LOL...Well doesn't this whole thread sound like a dick measuring contest?
Spend half that and get yur a set of Bose L1's and Bass Bins..... they'll fill the room up for ya.....
Yeah, I've heard great things about them. Can't wait to hear what they sound like
. I will likely visit Chicago & ATL in late July, early August if I don't find a local company hear that will allow me to listen to them.
Actually it's Oconomowoc, Wisconsin which is halfway between Milwaukee & Madison. Just over a 2 hour drive up from Chicago if you want to fly into there.
I think you want to go to Fargo. That's a place you can be proud of telling people you've been there. If they haven't seen the movie, then they are missing out.
Had our first show with the new Lab Gruppen rack last night boys....And let me tell you
Those bad boys are NO JOKE! WOW His rig sounded VERY good....I was impressed to say the least
Hard to believe that I-Tech 8,000's were whimpy sounding...but i heard the difference with my own ears.... He bought the FP 10,000's and FP 14,000 LABS by the way
Those bad boys are NO JOKE! WOW His rig sounded VERY good....I was impressed to say the least
Hard to believe that I-Tech 8,000's were whimpy sounding...but i heard the difference with my own ears.... He bought the FP 10,000's and FP 14,000 LABS by the way
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That's some serious firepower. They'd never work where I play .. usually I'm limited to a single circuit (and half the time they're 15A).
Yes...the Lab's are big boy amps, and require big boy power. I believe Tony said 1 FP 14,000 had it's own 60 amp twist lock...i could be wrong, maybe the 2 of them shared the 60 amps not positive
I'm learning quite a bit in this thread. Big amps and sound I love. I remember when the Crown Macros were the go to amps for big sound.
They separate the men from the boys! Clients "know" and "feel" the difference!
Same here.
Canute, I think most of us can agree on this - but when you don't have the power supply, there's not much you can do.
Even with the iTechs you get close to most limits with a single amp (same with some of the old Crowns that had 30A cords. You either need a venue with 60A twist-lock outlets (many with a stage have 1-2) and have a small distro or you need to have a journeyman's license to tap into the panel with camlocks or such.
I'm normally stuck trying to get my 3 amps, some backline and FOH on one circuit. That's one reason I have been doing a lot of research for my new setup to make sure I can get the subs, tops, front end and some lights (LED) on one 15A circuit.
I'm normally stuck trying to get my 3 amps, some backline and FOH on one circuit. That's one reason I have been doing a lot of research for my new setup to make sure I can get the subs, tops, front end and some lights (LED) on one 15A circuit.
Well, if this is a system for school events....
I haven't seen a gymnasium yet that has proper power for anything more than a couple of standard outlets can handle