Final Thoughts after purchasing DB Tech ES1203 speakers

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jaswrx

DJ Extraordinaire
Feb 15, 2015
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So I have run these speakers a lot in the last 6 months, and overall pretty happy, but not a gig goes by where I don't miss the sound of the L1 + F1. I play a lot at the same venues and I am VERY familiar of how it sounded with the BOSE setup, especially b/c I have used it for so long.

If you all recall, the main reason for the switch was to make my load in, setup, flexibility, and load out more efficient.

Simply put, the ES1203 doesn't really get any louder, but b/c the array is higher it does better on a packed dance floor. What's crazy, is if you look at the specs, it shows that it should be twice as loud. Shows you how little specs play in a real-world scenario. I am still amazed by this one, b/c I thought it would have blown it away in terms of overall SPL.

I will admit, it's really nice not having to setup L1 + dual F1 subs at every gig, but it is a tradeoff in sound. The L1 sounds smoother, less muffled, and just overall a more pleasant sound. When A/Bing the speakers, it almost as if the DB Tech sound like a lower quality/more compressed mp3 track. No one would ever think twice, and if you don't directly compare, it's still a good sound.

I also miss the low end I got from the F1 subs. The ES1203 packs a lot of punch from 60-80, but falls pretty hard below 60. I know no one is feeling that they are missing anything on the dance floor for the weddings I DJ, but I miss that low rumble, flutter your pants type of bass that I got with the F1 subs. Still, to this date, I have yet to find a better compact sub, and I have tried most of them. FBT has a couple that I have not tried though. I know some users here were not overly impressed, and I say to that, something was not set up right, b/c F1s seriously kick ass. I have rented QSC 181s a lot, and a pair of F1 subs do better IMO, and easier to load/move around, so...

It also took me a while to get used to narrower dispersion. I didn't feel I ever needed a monitor with the L1, but there have been some gigs where I had to take my L1 compact out to use as a monitor.

Things I like more on the 1203:
1. I can get the array much higher. The two speaker arrays are also able to be separated, which is pretty cool.

2. The really nice mixer section with DSP and lots of control, even for POST Mix so I can daisy chain.
This was my single biggest complaint on the L1.

3. Digital Steering

4. Easier to setup.

5. Can get my lights even higher :)

I have considered the idea of even buying F1 subs again or something like it, but I have adapted and have learned that it's okay if I don't have slamming bass.

Also, the 1203 does not take well to additional processing. I have tried to boost the low end so I can get that low end that I was used to with the BOSE, but it limits way too easily. The L1 was the opposite and when using the T1 presets, it took really well, giving the Bose an awesome sound.

In fact, I would go so far as to say that I wouldn't use the L1 if not using a T1 b/c it sound SOO MUCH DIFFERENT when using the correct processing.

When I tried running the DJ preset (Bose T1) with the ES1203, I had to back off the low end, 10db. I have played around quite a bit with the DSP such as the parametric eq in the T1 and have got it to sound pretty darn good--just took several gigs to dial it into my taste.

Anyhow, overall, happy with my purchase and would recommend this system to any wedding DJ who wants a lot of punch in a small package. Much more so that EVOX8, 12, and Evolve50.

If sound quality is the most important thing (not ease of setup), then I still recommend the L1. If there wasn't a large crowd blocking the array (think outside 150 ft back), the L1 was super impressive b/c of the 24 speaker array creating MUCH LESS of a sound falloff compared to any speaker I have owned. One can argue that a ETX/SRX or similar could get louder, and it's maybe true, but it will rip your head off in your are anywhere near the speaker, and that is a no no for almost all mobile gigs, especially weddings.

And that is why I like the array speakers... you can be pretty much next to them at full tilt. Just so smooth.
I can gladly say I will never use typical 2-way speakers again, b/c the few times I have had to, I end up so disappointed in their performance for my application, even when using nice RCF 7 or 9 series.

When I go to weddings or another event where there is DJ, I almost always see the typical K series that almost every DJ uses, and I am so glad I don't own those anymore--They are just not that good. My wife comments on it too. If you are not in that sweet spot of the coverage pattern, it's really bad as well. They sound soo "boxy" and squashed sounding.
 
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The speakers look sweet, though I'm not partial to the way the COB spots look on top. Setup looks great.
 
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Thanks Steve. The Core Par is a great fit on top. I did it with my L1 too. No light stands :)

I actually get more compliments from the lights on top in comparison to the speakers from brides and grooms who appreciate the clever and clean look of it all in one piece.

One time, a groom told me nice light stands--he wasn't kidding b/c he asked where I was planning on putting the speakers, hahaha. I just responded saying "you are looking at them." The Bose was even more so that way as the array is smaller in every which way.

What would you change or suggest? Always looking to improve my setup.
 
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It just looks strange to me .. like an alien robot. Our local shopping chain, Stop&Shop, has a floor cleaning robot named Marty .. the speaker/light reminds me of it ...

37287
 
Nothing at all wrong with your look. The COBs on top of the columns is a great idea, stay with it. The only possible thing I'd recommend is a table facade, in front of your gear.
Once it gets dark, it all looks different!

Lots of complaints all over the internet about the bottom half of L1's being too low (unless up on a stage, probably Bose's original intent). I'm still surprised no enterprising individual has tried mounting them on top of F1's that are turned sideways (with a DIY bracket for safety).
 
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Once it gets dark, it all looks different!

Lots of complaints all over the internet about the bottom half of L1's being too low (unless up on a stage, probably Bose's original intent). I'm still surprised no enterprising individual has tried mounting them on top of F1's that are turned sideways (with a DIY bracket for safety).

I have a single L1 and have done several events where I mounted it on top of a Yorkville LS801p sub. Absolutely awesome rig. I've used the F1s one time and was entirely under-whelmed.
 
Nice. How do you run your controller and your Tonematch?

Do you output the controller into theTonematch?

Very interested in this.
 
Once it gets dark, it all looks different!

Lots of complaints all over the internet about the bottom half of L1's being too low (unless up on a stage, probably Bose's original intent). I'm still surprised no enterprising individual has tried mounting them on top of F1's that are turned sideways (with a DIY bracket for safety).

It doesn't work very well. I have tried. The power stand on the L1 in a weird shape. At one time, I was using risers from Home Depot.
 
Nice. How do you run your controller and your Tonematch?

Do you output the controller into theTonematch?

Very interested in this.

2 Mics, Controller, and background music (dinner, etc) all run into the T1, and each has their own processing.

The Tonematch mixer is something I will never part with as a mobile DJ. Having a simple, easy to use, powerful DSP at your fingertips with settings that can be changed on the fly is very important to me. It even allows me post mix options for each channel so that I can send content to separate wireless speakers (different zones) and have a different signal levels for each channel.
 
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The Tonematch mixer is something I will never part with as a mobile DJ. Having a simple, easy to use, powerful DSP at your fingertips with settings that can be changed on the fly is very important to me. It even allows me post mix options for each channel so that I can send content to separate wireless speakers (different zones) and have a different signal levels for each channel.
Cool, except I think the T1 puts the whole system into mono - not necessarily a bad thing.
 
Cool, except I think the T1 puts the whole system into mono - not necessarily a bad thing.
You can get stereo by using the Aux output, but it's not straightforward. The newer T4 fixes that.
 
I DO NOT recommend using the aux output to do that... just buy a T4s which is stereo and has even better processing.

The only catch with the T4s that I didn't realize until I got one is that you have to use 2 inputs to get stereo, thus losing an input. It all depends on how many inputs you want to control and have processing for though. For those who want more, the T8s is the answer.

The T4s has more PEQ to dial sound even further. REALLY help on the mics!

It's also useful for room adjustment, where certain frequencies at certain venues are more prominent than others. Having the ability to cut or boost a frequency ONLY on a particular channel is something I can't imagine not having.
 
Interesting - I appreciate the review.

It looks like you're running a double stack on each side? Or, are you using the dummy riser thing they sell to cover the pole?

When you compared them against the Evox 12s, what specifically were you looking for? I think the Evox sound really nice... but I don't think they handle nearly the capacity that people talk about. I've heard people say crazy stuff like 400 people... which I think is ridiculous.
 
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You can get stereo by using the Aux output, but it's not straightforward. The newer T4 fixes that.

The one thing that really bums me out about the t4....is it has a headphone jack with no ability to send a signal just to the headphones for cuing. Seems very strange to me. If it did, I’d have already bought it.
 
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