Buy an eligiable CD from Amazon and get the MP3 version free.
http://www.amazon.com/b/ref=amb_lin...pf_rd_t=101&pf_rd_p=1467593682&pf_rd_i=507846
http://www.amazon.com/b/ref=amb_lin...pf_rd_t=101&pf_rd_p=1467593682&pf_rd_i=507846
Though if you only need the MP3 version, it's usually cheaper to just buy that.
Agreed...while I but tons of used CD's from Amazon, I rip and tag them myself with Audiograbber.
I doubt used CD's will be part of their eligible collection for pre-ripping.
If one has good processing and Equipment for Reproduction (Amps & Speakers) even low grade bit rate MP3s can sound good. Doesn't every one say that the customer does not care or know? If they can't tell the difference of sound coming from two speakers jammed together how will they be able to tell the difference of a 320 Bitrate vs a 128 Bitrate. It will be all in the DJs head at that point. Just saying!Steve,
I would love for all my stuff to be at 320kbs, even though I can't tell the difference between it and 256kbs, why, because someday we may have good enough amps, mixers and speakers to tell the difference
I will probably start next week with uploading my primecuts cd to both DJ computers so I keep 320 kbs on my primary and backup, it will just add 5 minutes a week to keeping my library up to date.
Ray J.
my private collection is all saved no loss from Vinyl or CD but otherwise my DJ stuff at a bit less though obviously the originals are all original unless purchased via itunes etc.
It may be a moot point, as most of my new stuff comes from either iTunes/Amazon or from a music pool service, and they're all in MP3 format. So I guess I need to decide whether I have a master library with the best available version (lossless/wav/mp3 depending) and a separate DJ one (all mp3/mp4) or just rip it all to the best mp3 version I can and live with it. Based on outside tests and my own listening, there doesn't seem to be any real difference in 256/320 mp3 vs a native CD in all but the most pristine listening environment and I don't use that as much as I do my other systems.
If one has good processing and Equipment for Reproduction (Amps & Speakers) even low grade bit rate MP3s can sound good. Doesn't every one say that the customer does not care or know? If they can't tell the difference of sound coming from two speakers jammed together how will they be able to tell the difference of a 320 Bitrate vs a 128 Bitrate. It will be all in the DJs head at that point. Just saying!
That was meant as Sarcasm Scott! LOL You are getting technical and I know what you say as a fact. However, in all reality do you think the majority of guests really care or even know? If they can dance to music from a stereo source on one speaker located in one room why won't they appreciate a low grade reproduction?Sorry but I have to call BS on this one. No amount of processing can repair the lost information in a 128kb file. This is digital data. After the information is gone it cannot be brought back. Even if you had some magic box that understood music and tried to regenerate it, that would only be a guess. The difference between a cymbal crash in a 128kb source and anything higher should be noticeable to anyone on any system. If that is not noticeable you have a problem in your system or in your ears.