Had one off the hook great last night. Everything worked, energy through the roof. Tonight's adventure begins last week, first time I'd seen any requests from the B&G. Instead of filling out my Online Planner, she sends me a 5-page Word doc. Bunch of prelim dances; mom/grandma, 2 "first dances" (I dunno), mom & dad, etc. Weird, and I predict it's going to feel like forever. Then we get into the requests. First thing off, she says "definitely don't want played"; Baby Got Back, YMCA, Cupid, Dougie, Wobble, Cha Cha Slide, "or any of those group type dance songs". I got on the phone with her and spent about 20 minutes, gently telling her "You can either have your list or you can have a dance party, but you can't have both." (I was diplomatic). She said she understood, wants a dance party and agreed to let me shift several of the "must plays" into the dinner set. Problem is, this is a monumentally-bad list of songs. Worst I've ever seen, no contest. We're talking things like "Angel From Montgomery" Susan Tedeschi, "The Seed" The Roots, "Dudley's Kitchen" The String Cheese Incident, "Got It All" Portugal The Man. I wasn't familiar with about half her selections and took the time to listen and categorize each. She swears that her crowd is not your typical wedding crowd and they won't be requesting the mainstays and I made sure to assure her that I only wanted to please her and try to make as much work as possible. Problem is, I can't say that I see even one single selection that will even remotely work on the drunkest of crowds. Who knows, I might be completely surprised but I'm predicting a train wreck. My question, when posed with a perceived "no win" situation like this, do you just strictly play the list or do you try to sprinkle enough of the list into the middle of stuff that works (of course, avoiding a large portion of your go-to list)?
I haven't read this thread beyond the first post but, to address your initial contention I would say this:
Where you admit that you are not familiar and have no prior experience with the majority of songs on her list - you also have to admit that you are not qualified to tell her that those songs won't or can't work.
This is important - because time and time again DJs blame the bride for bad music taste when the truth is that her music taste simply lies outside of the DJs range. The fault really lies with the DJ for not making it clear in the sales effort what kind of DJ he really is.
If the problem were the bride - then record pools like Promo Only would serve up just one format: "Mainstream Radio." Yet, we know they serve up formats from underground to adult contemporary and everything in between. If DJs understand the need for all these formats, then why are we blaming the client every time we meet someone who's taste is outside our own personal genre?
We can not be all things to everyone, and while we are able to play any song available - it does not necessarily follow that we will be capable of presenting it successfully to those who truly appreciate it. To do justice to someone's requests and integrate them appropriately you have to understand the genre they are asking for. Instead, many DJs simply resign themselves to insert what they consider the "odd balls" into places where they will cause the least disruption to the DJs personal preferences and knowledge base.