What Kevin has done is adjusted the system to his own personal liking wisely using the remote as opposed to his mixer's eq or other pre-L1 enhancement processor.
The RM1 (wired remote) is an umbilical cord into the DSP (digital signal processor) of the power stand.
It has two cord inputs; one on the top and another on the bottom. A user may connect the remote cable to one input or the other...not both.
When all of the dials on the remote are set at the 12 o'clock position, it is the default setting of the DSP on the power stand. At this setting, the remote is invisible to the ear and to the power stand.
Channel One and Channel Two three band eq settings (NOTATION: an EQ setting is engineered differently than a PRESET setting) is flat and their trims (volume level) is 50% of wide open. The bottom knob is total system master volume control effecting all input channels [1, 2 ,3 and 4] and is also default set at 50% of total system volume.
The wired remote can be plugged into the power stand and that stand adjusted to desired levels. As long as that power stand remains on, those settings are held even if the remote is disconnected unless manually changed but once the remote is removed and the power stand is turned off, all reverts to default (12 o'clock).
There are a few more tips and tricks I don't have time to get to in this post but will later. Headed to Charlotte, NC in 30 minutes.
I don't use the wired remote because the clarity and oomph from my system based on the combination of media source and sound card/drivers, the facilities where I play most frequently and the type of events I do, preclude the need for any additional need to jack up or fool with the eq.
Apparently I need to beef up my customer training procedures with the wired remote and I apologize if it's purpose was not properly presented and/or detailed.
The RM1 (wired remote) is an umbilical cord into the DSP (digital signal processor) of the power stand.
It has two cord inputs; one on the top and another on the bottom. A user may connect the remote cable to one input or the other...not both.
When all of the dials on the remote are set at the 12 o'clock position, it is the default setting of the DSP on the power stand. At this setting, the remote is invisible to the ear and to the power stand.
Channel One and Channel Two three band eq settings (NOTATION: an EQ setting is engineered differently than a PRESET setting) is flat and their trims (volume level) is 50% of wide open. The bottom knob is total system master volume control effecting all input channels [1, 2 ,3 and 4] and is also default set at 50% of total system volume.
The wired remote can be plugged into the power stand and that stand adjusted to desired levels. As long as that power stand remains on, those settings are held even if the remote is disconnected unless manually changed but once the remote is removed and the power stand is turned off, all reverts to default (12 o'clock).
There are a few more tips and tricks I don't have time to get to in this post but will later. Headed to Charlotte, NC in 30 minutes.
I don't use the wired remote because the clarity and oomph from my system based on the combination of media source and sound card/drivers, the facilities where I play most frequently and the type of events I do, preclude the need for any additional need to jack up or fool with the eq.
Apparently I need to beef up my customer training procedures with the wired remote and I apologize if it's purpose was not properly presented and/or detailed.


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