Alright, after finishing the well cover off today (ooh, I hurt big time), I'm taking some time to look at these tracks.
Need to do perspective here: This drive belonged to a fed government employee (actually, the gov't owns, and paid for the drive and music -- your tax dollars at work :sqerr

. I will not mention the agency by name, but it's outside the beltway (you can probably figure it out, if you recall my past ramblings).
Somebody duped it, and brought me a copy, to see if I could trace it back (I'm fairly handy at that sort of sh_t - go figure).
Nobodies going to jail for this, or even losing their job -- it's more of a nip the thing in the bud, before it gets rampant sort of thing. Oversight, if you will.
The reason I put that in perspective, is not because I'm the music police, and neither is the source. I could care less, to a certain extent -- it's not my conscience at stake here.
Having gotten that crap outta the way, the tracks are all ripped at 128 CBR.
Sound quality is not all that bad on the tracks tested. They would work for standard DJ stuff, given a reasonable noise floor at a gig.
Filenames are consistent, yet why anyone would want the track number in a filename (on a computer), is totally beyond my little bitty pea brain. You have 60,000 songs, do the math, and figure how many are track # 004
Why put the album name in the filename -- it's already in the tag -- wasted space.
Genre's are not consistent with the 125 that are acceptable to almost every piece of software on the planet.
Summary:
If you are a cheap bastard, it might work for you. You will have to listen to about 60,000 songs, to make sure they aren't hosed (I've already found quite a few in my limited sound checks).
90+ percent are filler material (e.g., you will never play them, and they take up space, plus add to search and sort time).
Anyway, I'm hungry, anybody wanna buy a hard drive...?
