By the very same token, what if a particular client felt that additional sound and lighting should have been included? Same/same.
I have never charged extra for this, but just wondering what others do.
By the very same token, what if a particular client felt that additional sound and lighting should have been included? Same/same.
If you have a song medley where you are playing just snippets and timing is crucial .. I WOULDN'T do that live (I don't have anywhere that level of talent), so yes, I'd charge. Playing and mixing .. no.A lot of DJ's charge extra for lighting. I don't.
Also, I feel that digitally editing a song medley is the same as mixing it live as it happens.
And you wouldn't charge extra for THAT!
I have had a couple of these. Editing out content, making it shorter, making the intro longer, you name it.
Considering that my day job requires me to edit audio 40-hours a week....
I can spit them out in moments without blinking....so I never charge extra for edits.
It helps to LOVE what you do for a living.
A lot of DJ's charge extra for lighting. I don't.
Also, I feel that digitally editing a song medley is the same as mixing it live as it happens.
And you wouldn't charge extra for THAT!
Shortening or lengthening something is not hard to do - and can happen live. Building a custom set within multiple in/out timepoints most likely will not happen live, especially if you only have a short amount of time to get to that break. This means you are editing / building beforehand. In addition, the customer needed to practice to 'the set' - and would need to hear and approve of the specific cut points that they wanted - and this should be the same thing they practiced to.
Shortening or lengthening something is not hard to do - and can happen live. Building a custom set within multiple in/out timepoints most likely will not happen live, especially if you only have a short amount of time to get to that break. This means you are editing / building beforehand. In addition, the customer needed to practice to 'the set' - and would need to hear and approve of the specific cut points that they wanted - and this should be the same thing they practiced to.
I had one sprung on me one night and they asked if I would try it. They were happy with it but it would have been so much better done before hand. There were 7 or 8 songs in the mix the first being 45 seconds the rest 20-30 except the last that was closer to a minute
I can spit them out in moments without blinking....so I never charge extra for edits.
It helps to LOVE what you do for a living.
Most people want to rehearse to the mix before dancing to it live at the event. That means you pretty much have to record it in advance.[emoji4]
Shortening or lengthening something is not hard to do - and can happen live. Building a custom set within multiple in/out timepoints most likely will not happen live, especially if you only have a short amount of time to get to that break. This means you are editing / building beforehand.
Depending on what the customer wants, maybe. If they have something specific, that jumps between many various tracks for a short period of time, then you're most likely not doing it live.
...and neither are they.
If they can dance to it then it has enough measure to be mixed live. The two skills are not that different.
I've done enough choreographed work to know how much of a measure is required even for a professional dancer.
No, you won't be mixing this with your mouse and keyboard. It takes real tools.
I've seen and done it from both sides, so I know it as well. Is it possible? Sure. Will it be successful? Most likely not unless its recorded and rehearsed.
...and neither are they.
If they can dance to it then it has enough measure to be mixed live. The two skills are not that different.
I've done enough choreographed work to know how much of a measure is required even for a professional dancer.
No, you won't be mixing this with your mouse and keyboard. It takes real tools.