The way to keep the overall volume down is to use A LOT of small speakers and create zones of coverage. This is just like an airport. Can you imagine an entire terminal with just two speakers at one end? Of course not. Instead, every gate has its zone. It is loud at the gate but if you are at the airport bar 50 feet away you can barely hear the announcements. It is kind of like listening to a headphone at an arms length. The headphone is loud on your head but barely audible at arms length.
The venues with these issues should invest in their own distributed speaker systems and just have the DJs plug into it. These are the kind of systems I designed. It is insane to think that a DJ would carry a distributed sound system.
If I was already contracted, I'd probably sign it and complete the event. I also would be very unlikely to return to the venue or ever book anything there again.
I'm completely over dealing with venues that are not set up to host events properly.
I would also explain to the client in excruciating detail what was being asked of me, and make sure that I correctly set their expectation for how it will impact their event.
Taso made a great point. If it's a in house system that could be used I agree with a waiver that if something happens to the system we're not responsible. Personally I would rather use what we have. We know how it works. We know what to do with it. We know it's strenghts and weakness. If something happens to it it's on us. Also I know how it sounds and it sounds GREAT!The way to keep the overall volume down is to use A LOT of small speakers and create zones of coverage. This is just like an airport. Can you imagine an entire terminal with just two speakers at one end? Of course not. Instead, every gate has its zone. It is loud at the gate but if you are at the airport bar 50 feet away you can barely hear the announcements. It is kind of like listening to a headphone at an arms length. The headphone is loud on your head but barely audible at arms length.
The venues with these issues should invest in their own distributed speaker systems and just have the DJs plug into it. These are the kind of systems I designed. It is insane to think that a DJ would carry a distributed sound system.
Agreed. Some DJs refused to play at the venues I worked with. Venues don't care. There are way more DJs than venues. Most brides prefer the eye candy over the ear candy. I wrote instructions for the DJs that the venue would give out. It had my contact info and several DJs would call me before their first gig there to get the rundown. There was also an instruction manual with the system with my phone number in it.Yeah, but let's be honest. Most DJs want to use their own system, and will kick up dust if they're required to use someone else's.
If I was already contracted, I'd probably sign it and complete the event. I also would be very unlikely to return to the venue or ever book anything there again.
I'm completely over dealing with venues that are not set up to host events properly.
I would also explain to the client in excruciating detail what was being asked of me, and make sure that I correctly set their expectation for how it will impact their event.
The $500 fine is to the client, not the DJ. The B&G are the clients. There is no business relationship between the venue and the DJ.This is pretty much what I would do too. I'm a bit curious how do they propose to collect the $500 if we get to step 2? I'm not paying it voluntarily
I also have major issues with anyone touching my gear step 3 wouldn't end well